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NEW FROM EASY STAR: New music out from Gentleman's Dub Club × Mungo's Hi Fi × Solo Banton

 




STREAMING WITH YOU THIS PAST WEEK




We broadcast globally 24/7 .... 365 and have been for over a decade. We  have embedded players on our web pages, in our radio lounge, on 15 affiliate websites  and broadcast live from TIC TOC.  That's reaching out to a lot of reggae enthusiasts. Our service provider furnishes  a cumulative report from all the disbursed media players and here's the top 25 countries who tuned in the past 7 days.

The first graph reports  the top countries who hit that >> GO BUTTON<<< and tuned in. The second graph reports who tuned in for the longest period of time per session!  This is the NATION family!!!!  The people we love and respect.  Thank you for  hitting that dial and staying locked .....









And here is what we were all listening to :

Listen on Online Radio Box! Shyrick Dancehall RadioShyrick Dancehall Radio








Dj Mutu Entertainment keeps adding to Zimbabwe’s dancehall...


 Tsvigiri Riddim Vol. 1 produced by Dj Mutu Entertainment 2026


Dj Mutu Entertainment keeps adding to Zimbabwe’s dancehall lane with Tsvigiri Riddim Vol. 1, a 2026 project that pulls together some of the scene’s more recognisable voices and a few newer names around a bruising, street-level beat. Dj Mutu has already been active as both producer and label operator, with releases carrying the DJ Mutu Entertainment imprint across 2024 and 2026, so this riddim sits neatly inside an ongoing run rather than feeling like a one-off experiment.



The music has the rough-edged, chant-friendly energy that works best in Zimdancehall: heavy drum pressure, a lean bass line, and enough space for each singer to push a hook or warning line without getting buried. Buffalo Souljah brings the most seasoned presence here. The Bulawayo-born, South Africa-based reggae-dancehall figure has long been one of Zimbabwe’s best-known exports, and his cut gives the riddim some wider regional weight. Nox, another veteran voice from Zimbabwe’s modern dancehall and afro-fusion circuit, adds the kind of melodic delivery that can lift a juggling. Phia brings a softer, more soulful contrast, while Mr Attention SkylevelDon turns up twice, a sign of how closely this riddim is tied to his current run. His recent 2026 singles have already been landing through the same DJ Mutu/Skylevel pipeline.





The rest of the lineup — Chad Chellart, Champion Boy YL, Elcee Gweja, Ital Vybz, Jah Child, Maggikal and Nyamz — keeps the project rooted in the working artist circuit where riddims live or die on direct, repayable songs. On a project like this, that mix matters as much as the beat itself.






"AUTHENTIC LOVE" song from SINGER JAH


 Singer Jah – Authentic love produced by Singer Jah 2026


Quiet and direct, Singer Jah keeps “Authentic love” to a single three-and-a-half-minute cut, and the title says almost everything about the mood before the first note even lands. It’s a lone-track release, credited to Singer Jah and dated 2026, so there’s no extra dub or instrumental business hanging around the edges, just the vocal in full. That kind of stripped presentation usually puts the writing and delivery under the microscope, and this one is set up more like a statement than a package. Singer Jah handles the production too.




Singer Jah sings from the reggae land of Jamaica and has quickly join the ranks of positive reggae messengers coming out of Jamaica to the world of reggae. Growing up in Jamaica Singer Jah was inspired by his older brother and reggae singer ‘Ginjah’ and with the burning passion of reggae music pulsating through his voice Singer Jah auditioned for the Magnum kings and Queens of the Dancehall show and a royal reggae super star was born.






Sativa D Black1 Brings: “Proud Of My Decision”


 

In 2026, reggae and dancehall continued to make room for songs that speak plainly about accountability, pressure, and personal choice, and Sativa D Black1’s “Proud Of My Decision” fits right into that conversation. The title alone points to a reflective tune, one that sounds less interested in gloss than in standing firm on a life choice and saying it out loud. With Juna-Vill Records behind the production, the release comes across as a direct, singer-driven single rather than a big-cast juggling, which gives the message space to land.



Sativa D Black1 is listed clearly as the lone artist on the track, and that matters because this is the kind of song that depends on voice and conviction more than quantity. The subject is personal, but it also has the kind of universality that reggae listeners recognize quickly: decision-making, self-respect, and the confidence to live with the consequences. Even without a long run of extra verses or featured guests, a song like this can carry weight if the delivery is steady and the phrasing is sharp. The release year attached to it is 2026, which places it in a period where roots-conscious and message-led singles continue to sit comfortably alongside harder dancehall output.




There is also a useful bit of context in the credit itself. Juna-Vill Records is named as the producer, so the song should be read as a label-backed statement, not just an isolated upload. That usually tells you the arrangement was meant to support the lyric rather than crowd it, and for a title like this, that is exactly the right approach. The track stands alone in the posted tracklist, which suggests a deliberate single release with no filler, no alternate cuts, and no competing versions. That single-track structure centres on one voice, one message, and one decision.





Major Terro Musiq keeps Pushing the Zimbabwean Dancehall Sound With Hit N Catch Riddim


 

Major Terro Musiq keeps pushing the Zimbabwean dancehall sound with Hit N Catch Riddim, a 2026 project cut at a fast, skanking pace and voiced by a heavy local lineup. The rhythm runs at a hard club tempo, with the kind of clipped, digital bounce that leaves room for chant-heavy vocals, quick-turn hooks and enough space for the bass to punch through. Major Terro is not just credited as producer here; he also closes the set with his own title cut, which helps frame the riddim as a statement of identity rather than just a servicing vehicle for multiple voices.



The strongest pull comes from the names carrying the most recognisable weight in the sequence: King Alfa AKA Kadiki on “Yadeuka Yadeuka, ” Mad Viper on “Mukana, ” Libho on “Carolina, ” Mr Attention on “Love, ” Blendaz on “Ngainaye, ” Vybz T on “Ngazvirambe, ” Stallion Gangster on “Rugare, ” and Badboy Katero on “Mukuru Wee. ” The lineup also includes Team AV, Legend Killer, Hudol, Indica, Lanko Mutokonyo, Young Fantan, Jakal Music, Daddy Punch and Chipredator, which gives the riddim a broad Zimdancehall spread rather than a one-artist showcase.


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What makes the project work is the way each cut rides the same bright, propulsive foundation without flattening the personalities. Some singers go for terse street chants, others stretch into more melodic phrasing, and the title track anchors the whole thing with a producer’s own stamp. Hit N Catch lands as a busy, speaker-ready riddim built for juggling, with enough momentum to keep the dancefloor moving and enough local names to make it feel rooted in the current Zimbabwe scene.




BRINGING TO YOU REGGAE FROM GHANA IS: LEXICON


 

In the heart of Ghana’s vibrant music scene, reggae-dancehall artist Lexikon erupts with a blazing new single, “I Burn” — a track that fuses spiritual conviction with roots reggae energy and is a declaration of empowerment transformation and divine guidance.



From the opening cry “Everblazing!”, Lexikon sets the tone that this fire is not a physical one,  but inner fire for purification, illumination, inner renewal and empowerment. The lyrics proclaim that this flame is the indwelling presence of the Holy Spirit — a guiding light that judges, convicts, and empowers believers, echoing the biblical pillar of fire that led Israel through the wilderness.




By blending patois, biblical imagery, and Ghanaian cultural references, Lexikon bridges worlds: the Caribbean roots reggae, the African heritage of “Ogya,” and the universal Christian testimony of faith. The track is not only music but ministry — a call to rise, shine, and burn inwardly with divine purpose.



William Bramwell Koufie, popularly known as Lexikon, is a Ghanaian reggae and dancehall artist, insurance consultant, father, and social advocate.




Born on 14 August 1980 in Cape Coast, Ghana, he has dedicated his life to using music as a platform to inspire, educate, and empower people, particularly the youth.





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