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MediSun DROPS A NEW TRACK CALLED FREEDOM THAT IS WORTH TAKING A LISTEN TO
Dee Master x Richie Loop x Dynasty The King collaborate on Mi Need Yuh
SPOZZ lets Artists and Labels release Direct-to-Fan first, then distribute later
"Artists should not have to enter the traditional distribution ecosystem before they can release music professionally," said Christian Müller, Co-Founder of SPOZZ. "By enabling artists to create ISRCs directly within SPOZZ, we're removing another gatekeeper from the release process. Artists can now release music directly to their fans on their own terms and still preserve the flexibility to distribute to Spotify, Apple Music, Amazon Music, and other platforms later if they choose."
• Direct-to-fan exclusive releases available only to loyal fans and supporters
• Fan-first release windows before wider streaming distribution
• Limited edition releases for community members and collectors
• Permanent direct distribution outside traditional streaming platforms
• Hybrid release models combining direct-to-fan monetization with later DSP distribution
By assigning ISRCs at the point of creation, artists maintain consistent recording identification across future distribution channels, helping preserve release data integrity and simplifying catalog management throughout the lifecycle of a release.
The launch further strengthens SPOZZ's mission to give artists greater control over their music, audience relationships, and monetization opportunities. Unlike traditional distribution-centric models, SPOZZ enables artists to build direct connections with fans while retaining ownership and decision-making authority over how and where their music is released.
The new ISRC generation feature is available immediately to eligible artists on SPOZZ.
ABOUT SPOZZ
SPOZZ is a community-ruled music streaming and direct-to-fan platform built by artists and fans to create a fairer music ecosystem. The platform enables artists to operate their own music streaming experiences, distribute music directly to their audiences, build communities, monetize their work, and maintain ownership of their music and fan relationships. By combining direct commerce, streaming, community engagement, and artist-first technology, SPOZZ empowers creators to build sustainable careers through direct fan relationships and greater control over distribution, monetization, and audience access.
For more information, visit SPOZZ.club.
MEDIA CONTACT
SPOZZ Media Relations
media@spozz.club
STREAMING WITH YOU IN THE PAST WEEK
Bunny Wailer’s Rock N Groove Returns to Vinyl! Reintroducing a Reggae Classic for a New Generation
The legacy of reggae music continues to resonate as Solomonic Productions Ltd, Bunny Wailer’s label, proudly announces the remastered Vinyl release of Rock N Groove, a defining album that captures the spirit, rhythm, and message of one of Reggae’s pioneers.
Arriving at a time of reflection and renewed cultural appreciation, the Rock N Groove remaster follows closely behind the celebration of Bunny Wailer’s earthstrong. This year’s 3-part celebration kicked off on April 9th with the 2nd Annual “Bunny Wailer Symposium” held at the University of the West Indies. Discussions of Bunny Wailer’s cultural influence were led by notable speakers Jerry Small, Dr. Clinton Hutton, Dr. Kadamawe Knife, and Kareece Lawrence. The next day, April 10th, was the 79th birthday tribute show “Rootsman Skankin” featuring performances by Naki Wailer, Queen Ifrica, Chi Ching Ching, Samory I, Imeru Tafari, The Abyssinians, Icho Candy with surprise tributes from Popcaan, Capleton, and Julian Marley. Finally, on the 11th was the “Bunny Wailer Cup”, a Soccer competition and kids' fun day at the Haile Selassie High School curated by the Bunny Wailer Foundation, executed by Solomonic Productions Ltd.
To culminate the Earth Day celebration was the announcement of the Rock N Groove Vinyl “Jamaica Release” campaign, in which limited edition vinyls are available only in Jamaica at selected record stores for collectors. This album offers fans, both longtime and new, an opportunity to reconnect with a project that remains as relevant today as it was upon its original release.
More than just a remaster, this release represents a reintroduction of Bunny Wailer’s musical vision, one rooted in authenticity, consciousness, and the global influence of reggae music. With enhanced sound quality and revitalized energy, Rock N Groove invites listeners to experience the album in a way that honors its original essence while embracing modern listening standards.
“This project is deeply personal to us. Rock N Groove reflects not only our father’s artistry, but his message, his movement, and his place in music history. Bringing this album back in this way allows us to continue sharing that legacy with the world.” commented Sasha Wailer of Solomonic Productions Ltd.
As a founding member of The Wailers, Bunny Wailer helped shape the global reach of reggae music, contributing to a cultural movement that transcended borders and generations. His solo work, including Rock N Groove, further solidified his role as a storyteller, visionary, and guardian of reggae’s roots.
The remastered Vinyl will be supported by a broader campaign focused on storytelling, legacy preservation, and cultural engagement. This includes media outreach, interviews, digital activations, and curated content designed to highlight the significance of the album and its continued impact.
Fans can stream the remastered Rock N Groove on all major platforms, including Spotify and YouTube. The “Rock N Groove” Vinyl will be available worldwide as part of “Record Store Day” Black Friday, November 23, 2026.
WINSTON DIAS : A Pioneer of Reggae in South Florida To Be Honored
An active member of Toronto’s reggae community for many years, Winston Dias was surprised to see little activity in terms of Jamaican culture when he moved to South Florida in the early 1980s.
The veteran Jamaican singer/events promoter is largely credited with launching the live reggae scene in that region. As proprietor of the Classic and Razor’s Palace clubs during the 1980s and 1990s, Dias brought Jamaican reggae and American Rhythm and Blues acts to South Florida.
On June 20, he will be honored for his trailblazing role during an event at Carib Island Restaurant in Lauderhill. The ceremony will be hosted by John “John T” Hodgson, a Broward County Commissioner.
CHECK OUT THE LIFE TEST RIDDIM BY- Got-It Records!
Got-It Records returns to riddim mode with Life Test, a 2026 dancehall set that feels less like a glossy compilation and more like a snapshot of a small but active corner of the scene. The label has already been moving in this lane with releases like The Piano Keys Riddim, and Life Test keeps that same modern dancehall identity while widening the cast. It arrived on January 27, 2026 and runs with a clear juggling approach: one core riddim, several voices, a dub-free instrumental, and a mix of clean and raw versions where the songs call for it.
The title track is not just a name check. Christopher Daley’s instrumental gives the whole set its frame, with a brisk, digital swing and a tension that sits between upbeat and cautionary. That mood suits the lineup well. Tatik’s Enjoy Life is the most openly uplifting cut here, pushing a reminder to live and appreciate the moment, while Shaqstar’s Case Closed brings a sharper, more clipped attack. Both sides of Tatik’s release, clean and raw, underline how this riddim can handle a tune that works for radio and for the street. Shaqstar has been especially busy in 2026, and his presence here feels like one of the anchor points of the project.
Turbulence adds veteran weight with Unholy Face, drawing on the kind of righteous, social commentary style he has carried for years. Chris Richa keeps up his run of releases for Got-It Records with Give Praises, a thankful, faith-forward piece that fits naturally beside Ras Campbell’s Raid and Rani Rastaciti’s Best View. Fya Doops and Grabskull’s Affi Win brings a tougher, more combative energy, while Megga Bling’s Time adds another melodic turn to the set. Taken together, the riddim has a reflective edge without losing dancehall pressure, and that balance is what gives Life Test its character.
Life Test Tracklist:
Tatik – Enjoy Life (Clean)
Tatik – Enjoy Life (Raw)
Chris Richa – Give Praises
Shaqstar – Case Closed (Clean)
Shaqstar – Case Closed (Clean)
Megga Bling – Time
FYA Doops, Grabskull – Affi Win
Ras Campbell – Raid
Turbulence – Unholy Face
Christopher Daley – Life Test Instrumental
Rani Rastaciti – Best View
MARCIA GRIFFITHS DROPS A NEW TRACK : WHEN YOU LOVE ME
Marcia Griffiths has spent so long at the center of Jamaican music that a new love song from her lands with the weight of experience behind it. When You Love Me arrives as a tender, grown-up statement from one of reggae’s most enduring voices, a singer who helped define the rocksteady era, broke through on her own with Feel Like Jumping, and later became part of the I-Threes, the harmonies behind Bob Marley and the Wailers. That history matters here, because she does not need to oversing a sentiment this direct; she can let phrasing, tone, and patience do the work.
The song is exactly the kind of romantic material Griffiths has always handled with ease. The title suggests devotion rather than drama, and her style is built for that space: warm, full-bodied, and emotionally sure without pushing too hard. Even before the lyric is examined in detail, the record reads like a classic lovers’ reggae move, one that would feel at home beside the softer side of her catalogue and the long line of Jamaican songs that find strength in restraint. Her voice still carries the kind of authority that can make a simple declaration feel personal.
LF Productions provides the frame around the performance, and the release is dated 2026. The label name does not suggest a long-running reggae imprint in the usual sense, which makes this pairing interesting: a veteran roots and lovers rock icon meeting a newer production credit with a single that relies on polish rather than clutter. That choice suits Griffiths well. She has always sounded best when the arrangement leaves room for the melody and the message to breathe.
What makes When You Love Me worth attention is the combination of pedigree and ease. It is not trying to compete with dancehall’s most aggressive current sounds. Instead, it sits in the lane Griffiths has owned for decades: adult romance, clean vocal control, and a melody meant to linger after the first listen. For listeners who have followed her from Studio One through the I-Threes years and into her later-era recordings, it feels like another reminder that Marcia Griffiths remains one of the most dependable voices Jamaica has ever produced.
NEW FROM SILVERBACK: summer tours & fests + new music + more
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