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Tropidelic Links Up With International Reggae Star Collie Buddz and Eli Mac for Feel-Good Breakthrough Single "Follow Your Nature"



Cleveland's reggae rockers Tropidelic have officially arrived. The high-energy six-piece blends reggae, hip-hop, funk, and rock into a sound that feels both deeply rootsy and relentlessly forward-moving. They've just released their latest single, a bold statement track built to move bodies and minds.



"Follow Your Nature," featuring reggae heavyweight Collie Buddz and rising star Eli Mac, pulses with sunny, feel-good grooves while carrying a deeper message about authenticity, resilience, and staying true amid life's chaos. This collaboration feels like a true breakthrough moment. Collie Buddz, whose global hits like "Come Around" and "Mamacita" made him a reggae and dancehall staple, brings that unmistakable island authority and crossover appeal. Eli Mac adds fresh, soulful energy to the mix. The track feels destined for summer playlists, and festival stages.


COLLIE BUDDZ


Tropidelic has never fit neatly into one box. Hailing far from tropical shores but close to the gritty heart of American music in Cleveland, the band channels a wide range of influences. "Every single second is a blessing if you count them all," singer Matthew Roads has said, capturing the band's everyman ethos of overcoming obstacles while keeping the party alive. "Follow Your Nature" embodies that spirit perfectly. It's a call to lean into your authentic self. To follow intuition, embrace joy, and navigate modern life's noise without losing your roots.


TROPIDELIC


This isn't just another collab, it's a meeting of worlds. Collie Buddz's international star power validates Tropidelic's unique fusion sound on a global stage, while Eli Mac represents the next generation keeping reggae's spirit evolving. The result is a track that feels like a bridge between Cleveland grit and island sunshine, between underground hustle and cultural breakthrough, between introspection and straight-up dance-floor liberation.

Tropidelic's trajectory has been unstoppable. From Kent State University origins to packed festival slots and tours, they've earned their stripes by delivering live shows that turn skeptics into believers. 2026 feels like the tipping point for the band. With monthly listeners climbing and major shows on the horizon, "Follow Your Nature" arrives as both celebration and catalyst.




In an era when many acts chase virality, Tropidelic builds community. Their music speaks to bootstrappers, dreamers, and anyone who's had to forge their own path. This single plants the flag. Reggae rock isn't a throwback, it's a living, breathing force that can dominate charts, fill arenas, and still feel intimately personal.

Expect "Follow Your Nature" to soundtrack beach days, road trips, and backyard hangs all summer long. More importantly, expect it to shift how people talk about Tropidelic, who've become a vital, genre-defying force proving that originality, positivity, and killer grooves still win in the end.



STREAMING WITH YOU IN THE PAST WEEK




We broadcast globally 24/7 .... 365 and have been for over a decade. We  have embedded players on our web pages, in our radio lounge, on 15 affiliate websites  and broadcast live from TIC TOC.  That's reaching out to a lot of reggae enthusiasts. Our service provider furnishes  a cumulative report from all the disbursed media players and here's the top 25 countries who tuned in the past 7 days.

The first graph reports  the top countries who hit that >> GO BUTTON<<< and tuned in. The second graph reports who tuned in for the longest period of time per session!  This is the NATION family!!!!  The people we love and respect.  Thank you for  hitting that dial and staying locked .....




And here is what we were all listening to :

Listen on Online Radio Box! Shyrick Dancehall RadioShyrick Dancehall Radio






BOOK CLUB PICK: Pressure Drop: Reggae in the Seventies

 


Pressure Drop chronicles reggae’s most tumultuous and influential decade. Beginning in 1970 and unfolding across the world, reggae flourished against a backdrop of political upheaval, gang warfare, Black Nationalism, racial and class discrimination and grinding poverty. 


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The music that developed as rocksteady and early reggae gave birth to deejays, dub, rockers, lovers rock, early dancehall and 2 Tone was by turns brutal and revelatory.

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Including an extensive analysis of the decade’s major singles and albums, Pressure Drop includes eyewitness accounts and experiences of the decade from the likes of Burning Spear, Chris Blackwell, Gregory Isaacs, Bunny Wailer, Jimmy Cliff, Black Uhuru, U-Roy, Lee ‘Scratch’ Perry, Augustus Pablo, Toots and the Maytals, Desmond Dekker, Sly & Robbie, Dennis Bovell, Don Letts and members of the Specials, as well as first-hand anecdotes of Bob Marley and Peter Tosh.





FRESH FROM VP RECORDS Planet Reggae Weekly:

 

JOSH HARRIS AND ETANA TEAM UP FOR "SUNSHINE"



Etana’s voice sits right on top of “Sunshine” with an easy warmth that suits the title. The single pairs her with Josh Harris and comes through Big Feet Records, the Northern California-based label Harris founded and has used for a steady run of reggae collaborations. The track was released on May 15, 2026, and the title alone points to a bright, uplifting mood rather than anything heavy or dramatic.



What makes the song work is the contrast between Etana’s smooth, grounded phrasing and Harris’s clean production style. Big Feet Records has long balanced roots-reggae sensibility with modern recording, and this release follows that path without crowding the vocal. The arrangement leaves room for the melody to breathe, so the song reads as a feel-good single built around presence, tone and lift rather than big studio effects. That approach fits Etana well; her best recordings usually carry strength without forcing it, and “Sunshine” appears to lean on that same calm confidence.




Josh Harris has spent years building Big Feet as a label for original songs and Jamaican collaborations, working from his home base in Northern California and linking with artists across the roots and reggae spectrum. His previous work with Etana included “High Grade, ” which gave the pair a proven chemistry in a more herb-themed lane. “Sunshine” shifts the mood toward something lighter and more open, and that gives the release a different emotional color while still staying inside the reggae tradition. It is the kind of single that keeps the message simple and lets the performance do the talking, which is often where this scene still sounds freshest.



THIS IS ZIMBABWEAN DANCEHALL FAMILY ... CHECK IT OUT !


Sunshine After Rain Riddim finds Dj Kevy working in that Zimbabwean dancehall lane where street-level expressions, singjay phrasing and melodic hooks meet a clean, modern riddim bed. The project lands in 2026 and reads less like a one-off compilation than a working platform for voices that know how to move between heartbreak, warning shots and uplift. Kevy is already out there as a producer-DJ with a growing catalog, and this riddim fits the kind of cross-border, digitally driven movement that has been pushing ZimDancehall into wider circulation.





The strongest thing about the release is the contrast in its cuts. Donator Calvin’s on Mubook Rerudo brings a more direct love-song angle, while Klarry Mujoma’s Bhururu and Jah Bvaru with Real Master on Kuvhura Hombe give the riddim its local street grit. X-tynah’s Uchandifunga adds another emotional register, and the Kevy vocals scattered through the project help tie the whole thing together as more than just a beat pack. There’s a push-and-pull here between personal reflection and chants meant for dancing, which is exactly what keeps a riddim alive in the dancehall space.




Kevy’s own tracks, including Welcome back, Ngwarira Hama, Chitikidhimba, Yut Killer, Darlie and Tinodanana, act like anchor points rather than filler. They help define the riddim’s identity: percussive, bright, and tuned for patois-inflected call-and-response. The title Sunshine After Rain suggests the mood well enough. This is music that carries resilience, but it does so with bounce rather than heaviness.




What makes the project worth a close listen is the way it feels rooted in Zimbabwe while still speaking the shared language of modern dancehall. The featured artists are not random names dropped onto a beat; they sound like part of the same ecosystem, each taking a different angle on the same rhythmic frame. That gives Sunshine After Rain Riddim a lived-in feel that should travel well with fans who follow the ZimDancehall circuit closely.





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