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G Cole’s New Album Black Green and Reggae Is Inspired By Jamaica’s Flag



A proud Jamaican, G Cole is not afraid to express his patriotism. Which he does on Black Green And Reggae, his fourth album, which is slated for release in September.



The South Florida-based singer said the colors of Jamaica’s flag were an inspiration for the album’s title. Music also played a role.




“The black on our flag signifies hardships faced and to be overcome. The green signifies the rich, green land and topography, the gold is the natural wealth and beauty of the sunshine,” G Cole explained. “But sometimes the days are cloudy, sometimes the days are rainy. Regardless of what the day is, there’s always reggae music playing. It’s the only constant.”


Two songs — Your Love and Feeling The Love (with Ed Robinson) — from the album have been released.


Black Green And Reggae will be released digitally and on vinyl. For G Cole, the latter format seemed natural, given the growing global demand for records in the past 10 years.





⁠”I have followed the resurgence of vinyl and I’ve strongly advocated for it, but the truth is, most genres never stopped making the vinyls, it was the reggae section that was getting smaller,” he noted. “It is expensive, especially since reggae artists aren’t given the budget of most other genres, but I’m hoping I can inspire some artists to do vinyl.”


G Cole is a native of Ocho Rios, one of Jamaica’s leading tourist areas. He was raised on the music of reggae greats such as Dennis Brown and Beres Hammond.




Reggae Bass Legend Jackie Jackson Has Passed




Veteran Jamaican bass guitarist Clifton “Jackie” Jackson, whose unmistakable style helped drive the pulse of some of the most beloved recordings in Jamaican popular music, died this morning after a prolonged stay in hospital.




He was 79.


Jackson, who was married to renowned Jamaican singer Karen Smith, had been in Cornwall Regional Hospital in Montego Bay, St James, for nearly two months.


He is survived by four daughters.


His death marks the closing of yet another chapter in Jamaica’s remarkable first generation of musical trailblazers-men who often labored away from the spotlight, yet whose artistry helped carry ska, rocksteady and reggae to audiences across the globe.



For more than 50 years, Jackson’s bass was inseparable from Toots and the Maytals, though his musical reach stretched well beyond that iconic band.




He contributed to recordings by some of Jamaica’s most prominent artists, among them Bob Marley and the Wailers, Alton Ellis, Ken Boothe, The Melodians and Desmond Dekker, and his international session work also included American singer-songwriter Paul Simon.





BOOK CLUB PICK .... Global Reggae


 

These plenary lectures from the “Global Reggae” conference convened at the University of the West Indies, Mona, Jamaica eloquently exemplify the breadth and depth of current scholarship on Jamaican popular music. Radiating from the Jamaican centre, these illuminating essays highlight the “glocalization” of reggae – its global dispersal and adaptation in diverse local contexts of consumption and transformation.




The languages of Jamaican popular music, both literal and metaphorical, are first imitated in pursuit of an undeniable “originality”. Over time, as the music is indigenized, the Jamaican model loses its authority to varying degrees. The revolutionary ethos of reggae music is translated into local languages that articulate the particular politics of new cultural contexts. Echoes of the Jamaican source gradually fade. But new hybrid sounds return to their Jamaican origins, engendering polyvocal, cross-cultural dialogue.




From the inter/disciplinary perspectives of historical sociology, musicology, history, media studies, literature, anthropology, sociology, cultural studies, the creative/cultural industries and, above all, the metaphorical “life sciences”, the contributors to this definitive volume lucidly articulate a cultural politics that acknowledges the far-reaching creativity of small-islanders with ancestral memories of continents of origin.




The globalization of reggae music and its “wild child” dancehall is, indeed, an affirmation of the unquantifiable potential of the Jamaican people to reclaim identities and establish ties of affiliation that are not circumscribed by the Caribbean Sea: To the world!


TAP ON IMAGE TO VIEW BOOK STORE

Co-published with Institute of Caribbean Studies and the Prince Claus Fund.






CHECK WHOSE SPILLING THE TEA ON """" HE SAY SHE SAY RIDDIM



Money Matters Entertainment keeps extending its reggae footprint with another juggling that leans on contemporary digital pulse rather than old-school roots revival. He Say She Say Riddim lands in 2026 and gathers a mix of veteran names and newer voices around a theme that’s all about gossip, relationship friction, and the way talk travels faster than truth.



Ras Ajai comes in with Love Is Kind, and his recent run has already included reggae and modern dancehall singles for the same camp. Krysie adds YooHoo, bringing the sharper, melodic side that has marked her releases over the past few years. Sotto Bless, who has been circulating on other reggae cuts like Bend Yuh Back, turns in Mending Fences. Singer J’s Good Company fits his long run as a sturdy reggae vocalist, while Sizzla’s Your Day Now gives the riddim some veteran weight from one of the genre’s most dependable lyricists. Tanya Stephens’ It’s Not Love adds the kind of plainspoken relationship writing she has long been known for. Farenizzi’s Love Will Get You and Zagga’s Good Damn Morning push the set into a more modern dancehall-reggae crossover zone, with Papa Michigan’s Tell Me Tings and Quan-dajai’s He Say She Say rounding out the conversational angle.



The riddim itself feels brisk and polished, with enough bounce for singjay delivery and enough space for the stronger lyricists to land their points cleanly. It sounds like a modern juggling designed for everyday arguments, relationship truths, and the small dramas that keep reggae storytelling alive.




JAH NICENESS HAS A BIG SURPRISE FOR YOU SAT 26TH 5PM CST


 

For more than a decade, JAH NICENESS and his RIDDIM N NICE Productions have been a familiar and much-loved presence on the airwaves of SHYRICK DANCEHALL RADIO.



He has built a devoted, lasting following at the station, so it only felt right to deepen the musical bond with SHYRICK NATION. With great pleasure, we here at Shyrick welcome JAH NICENESS as the newest presenter on the station, hosting: THE AMBASSADORES COLOSSIUM.




Are you ready to RUMBLE? Because front-row seats are waiting for you at the AMBASSADORES COLOSSIUM. Two hours of pure heavyweight fire from celebrated reggae artists delivering without apology, all carefully selected by none other than Jah Niceness. This promises to be a bashment above and beyond the rest, and it’s one you won’t want to miss. Itis going to be a Righteous Reggae Rumble.




Join the premiere of AMBASSADORÈS COLOSSIUM this Saturday, Sept 26 at 5pm CST, and let’s get ready to rumble.





“Reggae music has always been more than the pulsating riddim. It’s truth. It’s love. It’s the voice of the people. It's the sound track of resistance. The world needs that voice and message right now.”


Country: United States 


Shyrick Dancehall Radio is an online station based in the US that specializes in broadcasting reggae/dancehall music and related genres. The station features 24/7 streaming with live DJs, mixes catering especially to fans of Caribbean and dancehall rhythms. Known for its quality consciences content, energetic playlists, it brings the spirit of dancehall culture to a global audience. Go ahead TAP PLAY  and start streaming ONLY THE BEST in vibes right now !



 
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    THE LINEUP IS DEEP AND VARIED ON THE LANDMARK RIDDIM


     

    Landmark Riddim lands as a 2026 Stay Nice Music production with a strong roots-reggae spine and a clear love for classic one-drop pressure. The label has already been pushing a string of early-2026 singles and packages through Dub Shot Records, and this set fits neatly into that run with spiritual, conscious and lovers-oriented cuts rather than anything aimed at the dancehall end of the spectrum.



    The lineup is deep and varied: Kumar Fyah, Ginjah, MediSun, Ras Shiloh, Chris Malachi, Jah Izrehl, Kumar, Jahriffe, Toussaint The Liberator, Krysi Webb, Andrae Duhaney, Kazayah, Smoke, Inezi and Badda General all take a turn on the rhythm. Ras Shiloh’s “One Drop Rule” is the clearest mission statement, paying tribute to the genre’s foundation with a voice that naturally suits a reverent roots setting. Ginjah’s “Nice And Mellow” and MediSun’s “Freedom” point to the sweeter side of the riddim, while Kumar Fyah’s “Found My Baby” and Kazayah’s “Sweet Love” bring romance into the frame without losing the militant pulse underneath.


    Kumar Fyah

    The rhythm itself sounds like disciplined roots reggae with a warm, steady swing, guitar skank, and enough space for the singers to stretch out their melodies. “Landmark Riddim” feels designed for clarity rather than clutter, and the dub cut “Grade Freedom In Dub” with MediSun and Tippy I gives the project extra depth, showing the production can stand on its own as well as behind the voices.



    Check Out The Blessings Of Love Riddim by Maximum Sound



    Maximum Sound returns to its strongest lane with Blessings Of Love Riddim, a June 2026 release that fits neatly into Frenchie’s long-running habit of pairing polished reggae craftsmanship with a singer-friendly foundation. The label has spent decades building one-riddim projects that feel warm, melodic and firmly rooted in sound system culture, and this one follows that path without sounding nostalgic for its own sake.



    The riddim has a smooth, contemporary reggae pulse rather than a hard digital edge. It leaves room for melody, phrasing and harmony, which is exactly why the cast works so well. Busy Signal opens with Why Love, bringing his sharp melodic instinct and easy control over the pocket. Ce’Cile’s Not Today adds a female perspective that feels direct and self-possessed, while Pressure Busspipe’s All For Love brings the kind of conscious, spacious delivery that has made him a dependable voice in modern roots reggae. Mr. Vegas goes more reflective on Only Human, and that contrast matters because he is so often identified with dancehall energy; here he settles into the groove with real ease.




    The deeper cuts give the riddim its character. Tanzie’s One In A Million brings a younger, more modern tone to the project, Ginjah’s Church carries the meditative weight that has long made him a good fit for spiritually minded reggae, and JahZeal’s Life Is A Blessing adds a more youthful uplift. Gregory Morris closes the set with Blessings Of Love Dub, underlining that this is a proper riddim project, not just a stack of songs. The dub version lets the arrangement breathe and confirms that the production has been built for repeated juggling.




    What makes the release work is the balance: established names give it credibility, while the newer voices keep it from feeling like a veteran exercise. Frenchie’s production history with Maximum Sound has always leaned toward tunes that travel well across reggae playlists, sound systems and radio, and Blessings Of Love Riddim sits comfortably in that catalogue. It is clean, soulful and built around a message that suits the season it arrives in: love as strength, blessing and survival.






    Zim Summer Riddim Is A 2026 Dancehall Project Produced by Riddimz Kalacta


     

    Zim Summer Riddim is a 2026 dancehall project produced by Riddimz Kalacta for Riddim World Records. The riddim has four songs, and each one carries its own message. Some songs speak about serious problems, while others celebrate life, music and Zimbabwean culture.



    Queen-I opens the project with “Bun Wi Yaad. ” The song is about how people are damaging the Earth. It speaks about hotter summers, pollution, plastic waste and the cutting down of trees. It also points out that poor people often suffer the most when temperatures rise. However, the song does not leave listeners without hope. Queen-I reminds us that we can still make a difference by planting trees, protecting rivers and reducing waste. The message is simple: the Earth is our home, so we must take better care of it.




    Lady Vanta’s “Clock Nah Stop” reminds listeners that time waits for no one. Life keeps moving, whether we are ready or not. The song encourages people to stop wasting time and make use of every chance they get. It is about working towards your goals, enjoying life and doing what matters before it is too late.


    Blingah Yute brings some humour with “Summer Gweh! ” He complains about the strong summer heat and asks the season to go away. The song is playful, but it also connects with the wider message about rising temperatures and summers becoming harder to handle. It turns an everyday complaint about the weather into a fun dancehall song.


    Riddimz Kalacta and Dappa Stylez close the project with “Zim Summer. ” This song celebrates summer life in Zimbabwe. It mentions places such as Harare, Bulawayo, Great Zimbabwe, Victoria Falls and the Zambezi River. It also speaks about local food, music, dancing and spending time with friends. The Jamaican and Zimbabwean styles come together to show that people from different places can share the same joy through music.


    Together, the four songs make Zim Summer Riddim more than a party project. It speaks about the Earth, the importance of time, the summer heat and the beauty of Zimbabwean life.





    STREAMING WITH YOU THIS PAST WEEK




    We broadcast globally 24/7 .... 365 and have been for over a decade. We  have embedded players on our web pages, in our radio lounge, on 15 affiliate websites  and broadcast live from TIC TOC.  That's reaching out to a lot of reggae enthusiasts. Our service provider furnishes  a cumulative report from all the disbursed media players and here's the top 25 countries who tuned in the past 7 days.

    The first graph reports  the top countries who hit that >> GO BUTTON<<< and tuned in. The second graph reports who tuned in for the longest period of time per session!  This is the NATION family!!!!  The people we love and respect.  Thank you for  hitting that dial and staying locked .....









    And here is what we were all listening to :

    Listen on Online Radio Box! Shyrick Dancehall RadioShyrick Dancehall Radio