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JAH NICENESS HAS A BIG SURPRISE FOR YOU SAT 26TH 5PM CST


 

For more than a decade, JAH NICENESS and his RIDDIM N NICE Productions have been a familiar and much-loved presence on the airwaves of SHYRICK DANCEHALL RADIO.



He has built a devoted, lasting following at the station, so it only felt right to deepen the musical bond with SHYRICK NATION. With great pleasure, we here at Shyrick welcome JAH NICENESS as the newest presenter on the station, hosting: THE AMBASSADORES COLOSSIUM.




Are you ready to RUMBLE? Because front-row seats are waiting for you at the AMBASSADORES COLOSSIUM. Two hours of pure heavyweight fire from celebrated reggae artists delivering without apology, all carefully selected by none other than Jah Niceness. This promises to be a bashment above and beyond the rest, and it’s one you won’t want to miss. Itis going to be a Righteous Reggae Rumble.




Join the premiere of AMBASSADORÈS COLOSSIUM this Saturday, Sept 26 at 5pm CST, and let’s get ready to rumble.





“Reggae music has always been more than the pulsating riddim. It’s truth. It’s love. It’s the voice of the people. It's the sound track of resistance. The world needs that voice and message right now.”


Country: United States 


Shyrick Dancehall Radio is an online station based in the US that specializes in broadcasting reggae/dancehall music and related genres. The station features 24/7 streaming with live DJs, mixes catering especially to fans of Caribbean and dancehall rhythms. Known for its quality consciences content, energetic playlists, it brings the spirit of dancehall culture to a global audience. Go ahead TAP PLAY  and start streaming ONLY THE BEST in vibes right now !



 
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    COME JOIN THE GLOBAL NATION !





    THE LINEUP IS DEEP AND VARIED ON THE LANDMARK RIDDIM


     

    Landmark Riddim lands as a 2026 Stay Nice Music production with a strong roots-reggae spine and a clear love for classic one-drop pressure. The label has already been pushing a string of early-2026 singles and packages through Dub Shot Records, and this set fits neatly into that run with spiritual, conscious and lovers-oriented cuts rather than anything aimed at the dancehall end of the spectrum.



    The lineup is deep and varied: Kumar Fyah, Ginjah, MediSun, Ras Shiloh, Chris Malachi, Jah Izrehl, Kumar, Jahriffe, Toussaint The Liberator, Krysi Webb, Andrae Duhaney, Kazayah, Smoke, Inezi and Badda General all take a turn on the rhythm. Ras Shiloh’s “One Drop Rule” is the clearest mission statement, paying tribute to the genre’s foundation with a voice that naturally suits a reverent roots setting. Ginjah’s “Nice And Mellow” and MediSun’s “Freedom” point to the sweeter side of the riddim, while Kumar Fyah’s “Found My Baby” and Kazayah’s “Sweet Love” bring romance into the frame without losing the militant pulse underneath.


    Kumar Fyah

    The rhythm itself sounds like disciplined roots reggae with a warm, steady swing, guitar skank, and enough space for the singers to stretch out their melodies. “Landmark Riddim” feels designed for clarity rather than clutter, and the dub cut “Grade Freedom In Dub” with MediSun and Tippy I gives the project extra depth, showing the production can stand on its own as well as behind the voices.



    Check Out The Blessings Of Love Riddim by Maximum Sound



    Maximum Sound returns to its strongest lane with Blessings Of Love Riddim, a June 2026 release that fits neatly into Frenchie’s long-running habit of pairing polished reggae craftsmanship with a singer-friendly foundation. The label has spent decades building one-riddim projects that feel warm, melodic and firmly rooted in sound system culture, and this one follows that path without sounding nostalgic for its own sake.



    The riddim has a smooth, contemporary reggae pulse rather than a hard digital edge. It leaves room for melody, phrasing and harmony, which is exactly why the cast works so well. Busy Signal opens with Why Love, bringing his sharp melodic instinct and easy control over the pocket. Ce’Cile’s Not Today adds a female perspective that feels direct and self-possessed, while Pressure Busspipe’s All For Love brings the kind of conscious, spacious delivery that has made him a dependable voice in modern roots reggae. Mr. Vegas goes more reflective on Only Human, and that contrast matters because he is so often identified with dancehall energy; here he settles into the groove with real ease.




    The deeper cuts give the riddim its character. Tanzie’s One In A Million brings a younger, more modern tone to the project, Ginjah’s Church carries the meditative weight that has long made him a good fit for spiritually minded reggae, and JahZeal’s Life Is A Blessing adds a more youthful uplift. Gregory Morris closes the set with Blessings Of Love Dub, underlining that this is a proper riddim project, not just a stack of songs. The dub version lets the arrangement breathe and confirms that the production has been built for repeated juggling.




    What makes the release work is the balance: established names give it credibility, while the newer voices keep it from feeling like a veteran exercise. Frenchie’s production history with Maximum Sound has always leaned toward tunes that travel well across reggae playlists, sound systems and radio, and Blessings Of Love Riddim sits comfortably in that catalogue. It is clean, soulful and built around a message that suits the season it arrives in: love as strength, blessing and survival.






    Zim Summer Riddim Is A 2026 Dancehall Project Produced by Riddimz Kalacta


     

    Zim Summer Riddim is a 2026 dancehall project produced by Riddimz Kalacta for Riddim World Records. The riddim has four songs, and each one carries its own message. Some songs speak about serious problems, while others celebrate life, music and Zimbabwean culture.



    Queen-I opens the project with “Bun Wi Yaad. ” The song is about how people are damaging the Earth. It speaks about hotter summers, pollution, plastic waste and the cutting down of trees. It also points out that poor people often suffer the most when temperatures rise. However, the song does not leave listeners without hope. Queen-I reminds us that we can still make a difference by planting trees, protecting rivers and reducing waste. The message is simple: the Earth is our home, so we must take better care of it.




    Lady Vanta’s “Clock Nah Stop” reminds listeners that time waits for no one. Life keeps moving, whether we are ready or not. The song encourages people to stop wasting time and make use of every chance they get. It is about working towards your goals, enjoying life and doing what matters before it is too late.


    Blingah Yute brings some humour with “Summer Gweh! ” He complains about the strong summer heat and asks the season to go away. The song is playful, but it also connects with the wider message about rising temperatures and summers becoming harder to handle. It turns an everyday complaint about the weather into a fun dancehall song.


    Riddimz Kalacta and Dappa Stylez close the project with “Zim Summer. ” This song celebrates summer life in Zimbabwe. It mentions places such as Harare, Bulawayo, Great Zimbabwe, Victoria Falls and the Zambezi River. It also speaks about local food, music, dancing and spending time with friends. The Jamaican and Zimbabwean styles come together to show that people from different places can share the same joy through music.


    Together, the four songs make Zim Summer Riddim more than a party project. It speaks about the Earth, the importance of time, the summer heat and the beauty of Zimbabwean life.





    STREAMING WITH YOU THIS PAST WEEK




    We broadcast globally 24/7 .... 365 and have been for over a decade. We  have embedded players on our web pages, in our radio lounge, on 15 affiliate websites  and broadcast live from TIC TOC.  That's reaching out to a lot of reggae enthusiasts. Our service provider furnishes  a cumulative report from all the disbursed media players and here's the top 25 countries who tuned in the past 7 days.

    The first graph reports  the top countries who hit that >> GO BUTTON<<< and tuned in. The second graph reports who tuned in for the longest period of time per session!  This is the NATION family!!!!  The people we love and respect.  Thank you for  hitting that dial and staying locked .....









    And here is what we were all listening to :

    Listen on Online Radio Box! Shyrick Dancehall RadioShyrick Dancehall Radio








    God Alone Productions brings 'Clear Sight Riddim'...


     

    Clear Sight Riddim – TM and God Alone Productions brings a tight, 14-track ride for 2026. The project is credited to TM and God Alone Productions, with Miguel Smith listed in some previews as the man behind the concept. The tracklist sticks to a cohesive reggae riddim feel, letting each artist put their stamp on a steady, mid-tempo groove.



    Two cuts stand out for showing different angles on the same riddim. Chezidek delivers A Little More Justice with a measured voice and a clear sense of resolve, riding the rhythm in smooth, purposeful lines. Kiprich goes hard with Misery Loves Company, switching the mood to a sharper, more direct street-rooted vibe that signals a different approach to the same riddim heartbeat. Shanala’s God Is Amazing sits nearer the uplifting end, her vocal sits lightly but with a confident bounce that keeps the groove moving.




    Put out by TM and God Alone Productions, Clear Sight feels like a deliberate move to spotlight a roster of varied voices on one core rhythm. It’s a solid listen for fans who want reggae that stays close to the groove while letting each artist explore their own corner of the beat. The track lineup keeps the focus on the vocal energies, from Zamunda’s Jah Mission to Faevrit’s Great God I’m Calling, without drifting into showier production flourishes.




    Chino McGregor's 'Praise' Gives You that Sing-Along Feel...



    Chino McGregor – Praise opens with a steady, inviting groove that feels like it wants you to nod along and sing. The track sits in that warm, mid-tempo dancehall lane, with a direct vocal hook and a vibe that keeps the mood relaxed and celebratory. It isn’t about fireworks or flashy tricks; it leans into a straightforward, singalong feel that makes the message clear from the start.



    Chino McGregor is a Jamaican singer known for a global dancehall presence that blends singjay vibes with a contemporary edge. He’s the son of reggae legend Freddie McGregor, and his work over the years has carried that family legacy while pushing toward a broader audience. In 2026, news and streaming shares point to ongoing activity from him, signaling that he’s still out there making music and staying active in the scene. Praise fits into that pattern: a vocal style that stays close to the beat, and a subject matter that matches the title’s exhortation.

     





    A Classic One-Drumbeat Feel With a Steady, Traditional Ragga Rhythm: " I SHALL BE RELEASED RIDDIM"


     

    I Shall Be Released Riddim by Young Blood Records is a classic one-drumbeat feel with a steady, traditional Ragga rhythm that keeps the vocals upfront. The lineup here sticks to strong Jamaican voices riding the same groove, giving the riddim a tight, cohesive feel across the tracklist.



    Romain Virgo opens with No Substitute, a straightforward warning in the lyrics over a steady skank and clean bass. It sits close to the beat, letting the melody breathe without pulling the rhythm away. Richie Spice looks to uplift with Free Up Di Youth's Dem, a brighter tempo and a hopeful hook that lands easy. Christopher Martin’s If You Were Mine adds a sweeter, more romantic touch, with a smoother vocal flow that still rides the riddim comfortably.




    The rest of the cuts keep it rooted. Pinchers’ You Don’t Deserve pushes a sharper, more jaunty bounce, while Phalcon’s Broken Promises leans into a darker vibe without losing the steady pulse. ReniGad’s Baby Mother and Eminoxx’s Wey Me Woulda Do keep the energy gritty, and Little John’s If You Love Me closes with a confident, sing-along chorus.


    Overall, the project shows Young Blood Records sticking to a familiar, reggae-forward vibe. It’s a solid set for listeners who want a ready-made riddim that carries strong voices without getting gimmicky.





    RICK ROSS AND SKILLIBENG JOIN SHAGGY AND JEREMIH ON “LOTTERY 4.0”