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Showing posts with label STINGRAY RECORDS. Show all posts
Showing posts with label STINGRAY RECORDS. Show all posts

THIS RED HOT BRAND NEW RIDDIM IS A GUARANTEE TO BE IN TOUR PLAYLISTS...


 

Stingray Records keeps doing what it has done for years: pairing roots-minded singers with a clean, modern reggae framework that still leaves room for old-school melody and weight. The UK-based label, founded in 1994 by the McLeod brothers, has long been known for conscious reggae and careful studio craft, with Carlton McLeod handling the production side that has kept the Stingray name active across albums, singles, and riddim packages.



Run Run Riddim is a 2026 set, and it lands with a plainly melodic, singer-friendly feel rather than a hard dancehall push. The title cut from George Nooks gives it its name and tone, while Luciano’s Gunman brings the most direct roots message on the project. Stevie Face’s Can’t Go Round It adds the kind of warm, tuneful phrasing he has made his calling card, and Mikey General’s Do What You Wanna Do sits comfortably in that same conscious lane. The flow stays measured and open, with enough bass weight and forward movement to keep the versions rolling without crowding the vocals.




The lineup is stronger for the mix of veteran voices. George Nooks brings the gravitas of an artist with decades behind him, Luciano adds his familiar Rastafarian conviction, and Delly Ranx appears in a more melodic mood on High Grade. Conrad Crystal and Sugar Roy’s Crisis adds a duet dynamic that gives the riddim a little extra movement, while Tenna Star’s Zion In A Vision and Debbie Gordon’s Mind Blowing help widen the palette. This is the kind of Stingray release that plays like a proper juggling set: voiced by singers who know exactly how to sit inside a groove.





YOU ARE GOING TO LOVE : HAPPY LAND RIDDIM by STINGRAY RECORDS


Stingray Records returns to one of reggae’s most durable roots on Happy Land Riddim, a 2026 set that reaches back to the Carlton and the Shoes foundation tune and the long line of songs that grew out of that melody. Stingray has spent years operating as a serious London-based reggae home for roots, lovers rock and contemporary vocal work, and this release sits naturally  inside that catalogue, where older Jamaican harmony traditions are kept alive without  a sounding museum-piece stiff.




The riddim itself has that familiar uplift and gravity that made Happy Land such a fertile base in the first place. It carries the warmth of a classic roots session, but the modern Stingray treatment keeps the arrangement clean and vocal-friendly, giving the singers room to stretch out rather than crowding the pocket. The feel is meditative rather than aggressive, the kind of instrumental that lets harmony singers, message tunes and devotional lyrics land with proper weight. You can hear why this rhythm keeps resurfacing: it has enough lift for a sweet chorus, enough space for reflection, and enough history behind it that every new version arrives with built-in meaning.

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About Stingray

Stingray, a UK based Reggae recording studio and label that emerged as one of the leaders in the music field since it was founded in 1994 by the McLeod brother’s. Based in the West London suburb of Perivale, Stingray own a fully equipped and advanced 24-track professional recording studio.